The series "Colours of Passion" - a love melodrama in the tradition of Indian cinema, with feeling, flashing a glance insurmountable contradictions dividing the lovers and, of course, a magnificent wedding.

World at War

Young Parvati (Sanaya Irani) grew up in the village Birpur surrounded by the sands of the desert, away from the hustle and bustle of the city. As a child, she lost her parents in an attack on a bus of soldiers from BSD. Having survived a serious injury, it does not become isolated, and tried to maintain optimism and joie de vivre. Since the death of their parents Paro nightmares and desperately afraid of everything connected with weapons, violence and contempt for those who serve BAN.

The life of an army officer Rudra (Ashish Sharma) too was not easy. He is very experienced loss of his mother, once a runaway. Battling with his own demons, a young man came into the OBD, and quickly moved on service. He arrives in the village Parvati investigating illegal arms trade, which is embroiled groom girls. Paro becomes a valuable witness, Rudra and its harbor. Their feelings for each other with sharp hostility that arose in the beginning, gradually change when young people begin to communicate, and grow in love, which is destined to be a challenge for them.

Do not steam

"Colors of Passion" attracted attention when the creators of the series managed to get the lead role Sanaya Irani, who shot earlier in two popular serials dramas "cancala" and "What should we call this love? ". Ashish Sharma, who was invited to the role of Rudra, known almost more of his on-screen partner. The duo turned a colorful and intriguing that drew viewers to the screens.

The series filmed using not only the scenery and pavilions, but also stunning views of neighborhoods of Bikaner, Jaisalmer, Jodhpur and dunes. Scenic background screen image added liveliness and sincerity, and the main character, manifested in the sunset haze, masculinity.

The desert seems a place where peace and nothing is happening, but this feeling is deceptive, danger lurks and waits for the right moment. Lost in the sand, it is easy to die. People brought here from infancy learn the science of survival, they exist in a constant struggle with nature and with other people. In such conditions, exacerbated feelings, but because the characters do not do anything halfway, if the love, the passion and from the heart, if hate, desperately.

Parvati played by Sanaya Irani, like a wild flower, growing up in the sands of a desert. It does not give you or others to faint, become the support and comfort to the family and its ideology - a charity, it rejects all forms of violence. Hero Ashish Sharma - its opposite. He is one of those soldiers, they do not know the words of love, do not know how to trust and forgive. Their acting duo controversial and emotional, is a combination of comedy and tragedy, which is important for the Indian screen where spectators enjoy this dynamic relationship.

In the series "Colours of Passion" also stars: Mehra Rudra, Ananias Khare, Saji Yotangiya, Prashant Chawla, Gitanjali Mishra, Judith Shukla, Kapysh Chawla, Gurprit Singh and many others.

From generation to generation

Melodrama, "the color of passion," as some other long-running Indian series, has not escaped the fate of continuing with the participation of the descendants of the protagonists. Passionate and vibrant love story of Rudra and Parvati, with which the story begins, eventually ceases to inspire and coming to a logical conclusion, and then viewers are introduced to the children, with dozens of new characters and the show, instead of the expected final, makes a new plot twist.

This is because that, in order to maintain the interest of viewers for the same heroes over a hundred episodes, you need to have superhuman ingenuity and outstanding talent, but neither the one nor the other writers "the color of passion," do not speak. The series, filmed by director Siddharth Sengapta may fall into the category of decent, but not the most interesting Indian melodramas. Obviously, the list of cinematic traditions of India, in addition to well-known dance and means of artistic expression, enters the narrative tradition stretching to infinity, and few can refuse it and finish the show in time.

Anna Chizh

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