Not even the TV series, but the real saga, "Destiny Sisters" tells the story of the complex and as diverse life story of women from the same family. Turkish drama about loyalty and eternal values ​​for fans tearjerker.

Family ties

The most common Turkish family of five older sisters, five girls who were born and brought much joy to their parents. One gloomy day changes everything in their life - father and mother was tragically killed, leaving children orphaned.

Senior Elif (Ekin Turkmen) is studying at the university, she takes Beret - a symbol of French charm   care of the younger, she tries to combine work, study and somehow cope with all the troubles that fell on her head in a moment. Armaan (Hande Sora) seventeen and she was too straightforward and foolish to obey, she already considers herself an adult and wants to decide all by itself. Yeliz (Fulya Zendzhine) experiencing all the delights of adolescence Transitional age   and teenage rebellion. Bilge (Elite Izdzhan) and Dzhatsu (Selin Ilgar) even very young girls, they need mom and constant attention. In Bilge health problems and Dzhatsu feels unnecessary, because the older children do not always have time for her, receptive girl is going through difficult family misfortune, skipping all through.

Blood is not water

"The fate of the sisters' flirts directly with two curious cinematic themes: growing up in a family without parents and depth of family ties. A typical melodrama wins it by keeping the family dynamics. Of course, to achieve such energy, such teamwork and drama with a bit of humor, which the viewer can be seen in the TV series "Shameless" (English or American version) in the Turkish TV series are not the best quality possible. However, the relationships in a family priori constructed differently.

Comparison of this stems from the fact that "Shameless" is a, now, a practical sample of the series about a dysfunctional family, existing without the support of parents, where the relationship of characters based on mutual aid and understanding that anyone except each other, they are in the world do not need . It is easy to see how these series are shown the main features of the East and West. "Shameless" series hard, quite true, but always optimistic.

Turkish "Fate Sisters" built a little differently: the characters are initially in a vulnerable position, because the family has no male, all the care of children rests with the eldest daughter of that Muslim country, there is still not so much on modern law, as in the tradition, a woman will never be self-sufficient, as if the writers did not try, they can not go against the rules. As a result, the whole melodrama comes even to the fact that to improve relations within the family, to withstand external attack and to support each other, and to successfully arrange a personal life of the sisters, because otherwise they will not be accepted by society. This nuance essentially shifts the emphasis of the series, turning it into a love affair with aggravating circumstances.

Small but powerful

What in the series "Destiny sisters" in excess, so it's touching. Heart-rending narration, temporary special accents so that the viewers empathized more than the characters, even if the story avoids the extremes. Project Director Hakan Arslan prefers to use every opportunity to put pressure on the pity, especially noticeable in the history of the younger girl from a family that served as overly sensitive and vulnerable child loses the ability to speak from the experience of grief. A girl becomes a source of conflict between the sisters and their immediate family members, in general, the map of "poor little child" played well.

"The fate of the sisters" - the long-playing series, there are more than half a hundred series, spanning nearly ten years of life of the protagonists. The quality of the project is poor, it is at the level of the average Russian melodrama. Authors of the project desperately want to demonstrate modern Turkey, which aspires to equality, getting rid of the weight of age-old traditions and prejudice, however, it turns out the other way around. Before emancipation and sincerity of the Brazilian "soap operas" is far from the Turkish filmmakers understand that they must take off that will look their audience, it turns on the middle of the half.

Anna Chizh

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