When everyone thought that the career of a brilliant star was a complete failure, she suddenly reasserted itself, starring in two popular telenovelas - "Family Ties" and "clone". According to opinion polls in his fifty years, Vera Fischer is still one of the ten most beautiful and sexy women in Brazil, leaving behind younger rivals.

Life first. Destroying image

Professional recognition came to the enchanting beauty is not immediately. Too unusual was her external data for the country in which the majority of the population scorched hot tropical sun. Delicate blonde invited on television, not even hoping that the girl has talent. From it required only one thing - to be beautiful. Vera Fischer had painfully long to prove that she really can and wants to play.

It was only ten years later she won the role of which dreamed. Walter Hugo Khouri painting "Love is a strange love" earned her the award of the Association of Film Critics of São Paulo, and destroyed the image of a pretty sexy blonde, who pursued her all the seventies. Growing up in body and soul, faith changed its role. From now on, she created on-screen image of the fatal women "middle-aged", which is hopelessly fell in love with the young heroes.

However, over the years accumulated a professional fatigue, problems in his personal life did not allow to concentrate on work. The result was an unexpected decision guidance TV "Globo" to remove one of its brightest stars from the filming of the telenovela "Our Fatherland" (1994). It seemed, on the career of Vera Fischer put a cross. Over the next six years, the actress starred in only two telenovelas as a guest star. Certainly, Russian viewers will remember her as Nena Mezenga in the telenovela "Fatal legacy", as well as a strict beauty Laura, became the rival of the main character in the TV series "Mad Money."

At this time Vera much fruitful work in the theater. Her most favorite work (and most significant achievement not only as an actress but also as a director) was the play of Tennessee Williams' "Cat on a Hot Tin Roof," for which she won the Academy of Theatre Arts.