- Fashion of 17th century - a reflection of a new era
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Each century was part of history thanks to an outstanding event in the political, economic and cultural life. All these areas could not be reflected in the appearance of men and women in costumes which are easily traced the influence of time. Fashion of the 17th century during the whole period is changing rapidly, and for all future generations, it has become in many ways a turning point. Some call it unsuitable pompous, others find it an elegant and moderate, according to the teachings era.
The end of the Middle Ages
Fashion of the 17th century would not be wrong to call mode transition, because it was a period largely watershed, marking the decline of the Middle Ages, and the opening of a new page in many areas of life. In the Middle Ages there was a cult of austerity, when luxury in every way hampered in dark clothes were present noble tone, which formed a strange neighborhood with stiff asymmetrical geometric lines. But in the first decade of the century is a marked transformation of the European costume, marks the birth of a new era in which the blinding luxury will be difficult to keep.
The birth of a new aesthetics
In the late 16th century in the Italian Baroque style was formed, which was the main characteristic fashion in the next century. Baroque in Italian means "strange", "artsy", which was the succinct description of this unexpected fashion, marked the end of the Time of Troubles and the birth of a new aesthetic.
In the early 17th century costume still maintain the hard line and barely restrained by austerity, but then they take on different characteristics. Clothing has become less categorical and fashionable in the ordinary sense of the word. One of the main characteristics of the fashion of the 17th century - a softening of lines and cut complexity, both due to the appearance of heavy draperies, and because of the abundance of accessories. The inclusion of light colors in the images of men and women - one more important event that marked the end of the Middle Ages in the literal sense. Dark times are in the past, to the fore the beauty in a variety of its manifestations. The benchmark for the rest of Europe are France and Italy, where most clearly manifested features of the fashion of that era.
Transformation of clothes
At the beginning of the century costume is freed from puffs irretrievably fading female genital hats that hide hair
Hair: structure, characteristics of growth and development
. Men are beginning to wear a wide-brimmed hats decorated with feathers. One of the major indicators of changes in a man's suit was a common "relief" of the image, which has become more comfortable and even a little more frivolous. First, the changes in a man's suit almost invisible, but the Thirty Years War, which broke out in 1618, brought about changes in the image of a man, completely stripping him of his mannerisms Spanish influence with its architectural lines, which do not conform to the dictates of the era.
Long white shirt with lace cuffs and collar a sine an integral part of a man's suit, starting from the second half of the century. On top of it he was put on braser representing a jacket with short sleeves. One of the most important changes in regard to male costume design of the lower zone of the body. Previously noble gentlemen wore stockings with lush pants, closing only the upper part of the thighs, in the seventeenth century, the focus is on fashionable trousers
Knickers in fashion?
Which are not the same volume, but down to the knees and hips almost completely closed. Knickers tie ribbons below the knee, which are then in harmony with the decor of exquisite shoes with a square heel.
At the same time formed a new canon of women's costume, which is tightening its ladies in corsets, outlining the waist. Women's dress of the seventeenth century is deprived of framing skirt, his lines become more dynamic, slender waist contrasts favorably with pompous fluffy skirt and no less voluminous sleeves.
In 1648 ended the Thirty Years War, which marked the beginning of a new era. The clearest indication of this time served as a fashion at the court of Louis XIV
Fashion at the court of Louis XIV: frills
France, which has become the personification of the cult of ostentation. Women's dresses are losing the old chaste neckline opens, with the help of a corset bust is lifted, and the double skirt decorated with stripes, applications, immodestly rustles walking silk and lace. Sleeves are less bulky, and now they gracefully adjacent to the shoulder line and cover your hands with beautiful lace cuffs.
Accessories
Accessories have become an indispensable part of the costume ladies and gentlemen in the seventeenth century, and their variety is amazing. The modesty and brevity was not honored, the shackles of the past finally asleep, it's time to show itself in all its glory. This is done using an abundance of ruff, fringes, embroidery, ruffles, ribbons, earrings, necklaces on the bare neckline. Tailors nobility deftly managed with his work, combining silk, velvet, brocade, taffeta, gauze of different shades, combining floral motifs with oriental inclusions. In the late 17th century, the fashion came unexpectedly when the strip and the cell.
Images of Baroque, pompous, luxurious, sometimes absurd in their desire as much as possible to move away from the principles of minimalism Middle Ages, embodied in the raging passions of human nature, its craving for art, certainly reflected not only images, but also in the manner of behavior. In the clothing uncontrollably baroque style was restrained classicism, which, along with it prevailed in the culture of the seventeenth century, finding fertile ground to develop in France and England.
Blinding Baroque style in the early 18th century gave way to images of rococo, which is largely borrowed his features, but he was more mellow and less nervous.
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