The sixties of the last century have become legendary era. Freedom, youth spirit, expression, expressive sparkled in all - including makeup. This unique style has become history, and all with the prefix "retro", continues to this day to be popular. But today not all remember that bright eyes and pale lips - this is not a new technique, invented make-up artists, but only a return to the period.

Stars as an example

Imagine looked like a woman living in the sixties, it is possible. For this we need only recall the most popular film-image, or the image of the celebrities of those years.

That was the heyday of Audrey Hepburn, whose wonderful huge eyes looking great in a frame of thick arrows and black eyelashes. The blonde Brigitte Bardot is yet another ideal of beauty. Her legendary hairstyle "Babette" is well in tune with the heavy eyeliner and pale lips, creating an incredibly sexy look. Another was Twiggy - a fragile model, which is embodied in many photographs with huge, sticky mascara eyelashes. This was the highlight of the makeup of the sixties. It was intense, feminine, passionate, but observed a clear boundary between sexuality and vulgarity.

Today, this technique is still incredibly relevant. Firstly, such a person is attractive, as highlighted in the eyes and lips - on the contrary, often pale. This has the effect of passion, and at the same time, a feeling of insecurity. However, it is important to maintain a balance. With bright eyes of the rest, including the lips and skin tone How to align the tone of the face - the secrets of disguise It should be as concise, preferably natural, no color development.

Isolation of the upper part of the face is beneficial when taking a pear-shaped or square, heavy jaw when lips touch undesirable.

Makeup can recreate the sixties, but still it would be better still adapt it for themselves, not forgetting about individuality.

Equipment

The tone of the person to be perfect, even, without a trace of bruises or pimples. Any little thing that no attention is paid to the complexion, the result against the background of intense painted eyes will only be emphasized. After adjustment should be applying foundation Tone cream - mask the flaws   natural light color, then the skin should be a little powder.

Eye makeup - the most time-consuming phase. Be sure to need direction, but they are all different. Not all lines are diverging from the outer corner, and especially the owners of the broad faces. But this arrow - thick, expressive, sharp, and there is a real indicator of the sixties.

When choosing in favor of the shooter must use black liner, slowly leading the line very close to the edge of the upper eyelashes, few plants abroad eyes. In this eyeliner lower lid labeling is not necessary. Good this when narrowly set eyes on a fairly standard oval face. With such a narrow face shape is better not to draw arrows - they will look unbalanced, inappropriate.

In other cases it is necessary to use a pencil, which can trace the entire path. Then it must be a good shade, and cover the lashes mascara previously tucked tweezers.

Prior to the designation of an eye liner or pencil applied shadows - light, not too bright, but not completely opaque. Shadows can be white, pink, beige, brown, blue or green - but light. At the crease of the upper eyelid can be applied darker tone, to give depth look.

Blush not required to use because they can sometimes discordant with core eyes, introducing some dissonance. If a person looks too pale, it can be a little "browned", lightly touching the brush cheeks bright pink or peach blush. It is not necessary here to use bronze tools.

Applying lipstick or gloss - the finishing touch. Bold and in youth will look like color, a little lighter natural tone of the lips. This can shade foundation at the edge. Permission to take the shine, but do not make the lower face too glossy or "plastic." Under the ban is any contour lip.

An important detail for the image of the sixties - the eyebrows. They should be clear, without a single superfluous hairs, preferably slightly stained shadows for emphasis.

Eugene Zhirkina

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