The French fashion - this is a well-established expression and a sign of quality, something to which, consciously or not, tend to almost all the women in the life of a fashion which has at least some value. What is the hallmark of the French fashion?

• Neutral colors

Among many other things, on the streets of Paris is very striking how many women wear clothes only neutral colors. Black, cream, beige, navy blue and chocolate - favorite clothing color of French. And although in many countries this would be considered dull palette, a Frenchwoman, she somehow looks delicious. French women know the value of restraint, and understand what a woman should wear, and not vice versa. At the same time, neutral colors are often complemented by bright elements - and this brings us to the next point.

• Proper use of accessories

Bright Scarf Fashion Scarf - stylish accessory , Unusual shoes, nice belt, stylish handbag or original beads - French fashion is reflected in the beautiful, high-quality and appropriately added detail on the background of neutral colors. Balance and moderation - perhaps the most important concept of French fashion. As Coco Chanel said, "Fashion - is architecture: it all a matter of proportion."

• Classic

In France, it is hard not to notice how many women dress in classic style Classic style - fashion ageless . Black or beige trench coat, formal suit, blazer and dark jeans are the basis of this style. They are worn by women of all ages. No wonder, because things like ballet shoes, a white shirt and pencil skirt will never become obsolete, always look stylish and are suitable for any occasion.

• The quality

The French are trying to adhere to quality products in all - in food, cosmetics and clothing. The French are different economical, but it is not expressed in buying cheap things. Instead, they prefer to buy some clothes, but of high quality and one that will be relevant and a few seasons later.

• Avoid sharp color contrasts

Although such contrasts in many countries are at the height of fashion in France, they are tasteless and even vulgar. Color combinations are carefully thought; they do not need to cut the eye and make a woman faint for her clothes.

But the French fashion, of course, does not appear out of nowhere - without their famous designers in Paris could hardly have become a fashion capital.

French designers

Christian Lacroix made his debut with his first collection in July 1987 and struck the audience brave borrowing lush bows, corsets and crinolines with paintings by Boucher, Fragonard and Nattier, which he combined with ruffles, feathers and fringe, borrowed from the gypsies and dancers on the paintings of Toulouse-Lautrec . It Lacroix at the end of the 20th century revived the real prom outfits - finery of taffeta or satin, with a crinoline. Not surprisingly, Christian Lacroix for his career more than once created costumes for theater productions. He is the author of corsets worn by Madonna during her tour in 2004.

Jean-Paul Gaultier - one of the most famous living French, and one of the most talented and most successful fashion designers. Gauthier, who once called the enfant terrible of French fashion, in the beginning of his career, gained fame thanks to such inventions as the men's skirt, stockings, painted under the tattooed skin and corsets, which can be worn as outerwear Outerwear: with special warmth . However, he also made a huge contribution to the classic French fashion, in particular, has developed a model of modern trench and created a variety of jackets for women, who are now considered to be an attribute of good taste and elegance.

Sonia Rykiel, preparing to become a mother, discovered that the stores do not have a sweater that would be quite soft and comfortable for a pregnant woman, and in 1962 she created her first line of knitted garments. It became so successful that in 1968 Rykiel opened her own boutique. Design Sonia Rykiel was revolutionary in its own way. Knitted clothing (often with stripes that have become the hallmark of its brand), symbolized the liberation of the female body from the rigid silhouette of the previous decade. In addition, she was able to make a knitted odezhy really sexy - her dresses and sweaters were like a second skin for women.

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