"Six hundred of happiness" - lyrical melodrama about how to survive betrayal, accept and forgive infidelity Treason: Fall or loyalty to yourself?   and find harmony with Ekaterina Semenova and Dmitry Yachevsky starring.

Love Square

Marriage Natasha (Ekaterina Semenova) and Paul Sparrow (Dmitry Yachevsky) for many years, they work together, live together. Paul was tired of his wife, he is looking for something new and has an affair with a young secretary. Natalia, drove the wrong time to work, she finds her husband with his mistress. From the shock and humiliation, she runs away, remembering that her parents had once been a small house in the village of Berry, Natalie goes where nothing will remind her of her husband.

Nikita (Paul Lemeshko), son of Natalie and Paul, returning from America, finds his father with his mistress, he realizes that the house was no longer any place for him, so going to the mother in Berry. Mother and son are trying to establish a life in a new place. In the village Natalia meets a childhood friend Dmitry (Vitaly Kudryavtsev), is still experiencing feelings for her, she has to deal with that, what is the nature of these feelings, and whether it is ready to accept them.

The intensity of passions false

Some Russian filmmakers have forgotten that melodrama, in addition to boiling passions and emotions gushing, we also need a sensible plot, and, if not a plot, it is thoughtful dialogue, the ability to develop the story and bring it to a climax.

The storyline of the "six acres of happiness" is lost somewhere in the beginning of the story, and then stretched occur reflexes that the viewer is watching up to the climax of a random occurring so quickly that it is impossible to prepare and difficult to understand and accept its meaning.

The series took director Yuri Leiser ("Champion", "The word of the woman") scenario Maxim Demchenko ("Second Wind"). From the first frame "Six hundred happiness" impresses the classic melodrama, with the participation of adults, the characters of the wise, and able to feel and reflect.

Hopes for a kindness narrative quickly dispelled despite the fact that Ekaterina Semenova trying to play veribelno and alive, giving her character while on the mountain, and the time to doubt fed dialogues. Character Semenova is sincere and self-sufficient for as long as the silent, stands Natalia speak, her voice sounded psevdofilosofskie postulates about the meaning of life, the importance of making and accepting people as they are, these reflections did not tally with the living, the emotional nature of women. Instead of practical wisdom obtained snag, Dummy.

Dmitry Yachevsky, playing the role of an adulterer, is also beginning alive, his character has a soul and throwing, and wrath, and breakdown. All the fuse quickly disappears in the middle of the action, climax, and it disappears in a confused, devastated man appeared on the screen, there is nothing that supported his earlier character blurred and spoiled.

Bright spot melodrama - actress Maria Segal, who played the beloved son of Natalie and Paul. Segal remains in character from beginning to end, her character develops, matures and becomes love in all that she does not come out from the role and goes to extremes, which is one game through the eyes in the dating scene, where no words actress conveys the emotions of her character, replaying all participants.

The film also stars: Catherine Solomatin, Ivan Kolesnikov, Alexander Bulychev, Paul Lemeshko Ruslan Kalimullin Yuri Gumirov Victor Ryabov, Karim Pakachakov Alexei Ryadinsky and others.

Nedodrama-nedoserial

"Six hundred of happiness" is released, it became common in recent years, in two formats - feature film and TV series. In a series melodrama loses, it looks only a single block, there is no interim climax lacks tension and dynamics to keep the viewer's attention several series in a row.

The work, if not crude, the unfinished one acting too little to ensure that the project could be called complex. The sudden ending spoils the impression from the slow scene changes and flaccid attempts to add drama. Not the first job for the director Yuri Leyzerova may not last.

Anna Chizh

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